8/25/2023 0 Comments Whiskey bent hell boundVerse 3 Oh no one knows what life can bring sometimes it’ll break your heart in two. Oh it felt so good to hear him sayn’t won’t you be my friend? oh yeah Chorus Some angel smiled upon me bless her soul when she said his name. I hitched a ride on southbound 51 you know it took away my pain. She pushed me out with just one kiss Whiskey bent and hell bound. She said she’s leavin’ me behind like all the joys life brings oh yeah. I’ve been goin’ off the deep end since my baby packed her things. Whiskey bent and hell bound I’m on a permanent downhill streak. My mind was hazy and I was dry so I dialed information.įor just one more chance at some peace of mind Oh could you understand? I woke up early this mornin’ with a wine glass in my hand. The lyrics to this timeless tune tell the tale of a down-on-his luck man who turns to alcohol in order to get through the hard times: “Whiskey Bent and Hell Bound” is a classic country song that has been covered by many legendary singers, including Hank Williams Jr., Chris Stapleton, Dean Brody, George Jones and more. Long may they stagger.What Are the Lyrics to Whiskey Bent and Hell Bound? Like Weil’s cowboy shirts, Hellbound Glory evokes Western style, in this case the 1970s hard country-rock amalgam defined by Waylon Jennings and others, in fine fashion. Missing from the set was “I’ll Be Your Rock (at Rock Bottom),” another fine Virgil original that captures the days of wine and roses. The band’s signature tune seems to be “Get Your Shit and Go,” which acutely describes the vicissitudes of booze-lubricated romantic relationships it went over like free beer with the small crowd that remained. With drummer Chico Kortan anchoring a solid backbeat and bassist Frank Median dishing out the occasional two-step “eat shit” bass pattern, Virgil and Fingers powered through the band’s repertoire of songs that catalog various alcoholic behaviors-drinking, more drinking, getting arrested for drunk driving (“Hello, Five-0”). My only complaint was that he set his amp’s volume a few notches under 11, probably out of respect for the families the band ended up scaring off anyway. Johnny Fingers has that cool Tele tone, the kind of sound that’s bright like the chrome must’ve looked on a showroom Mercury circa 1956 the notes come at you all stiff-legged and frantic, like a young Johnny Cash hopped up on truck-driver whites trying to dance like James Brown. The high point of each song was when he’d yell, “Take it away, Johnny,” and the guy to his right with the straw cowboy hat would unleash a flurry of sonic sparks from the fretboard of his black Telecaster. Virgil barked lyrics into a makeshift mic that sounded like it was purloined from a sheriff’s department inventory of jailhouse bullhorns, accompanying himself on a blond Fender Telecaster. Soon, most of those folks disappeared, kids in tow, in a line of taillights heading south along the river road.īut Hellbound Glory, just off its first national tour, was just getting started. A few songs later, there was a noticeable gap between the tattooed drinkers near the stage and the folks hunkering at the far back. It didn’t take long for the audience to stratify: A couple songs in, the band lurched into Hank Jr.’s classic “Whiskey Bent and Hell Bound,” and you could sense a shift a cover choice like that telegraphs its punch quite succinctly as to what’s up ahead. Its 90-minute set, under Jupiter bright amid a rich sweep of stars, was a fine mix of Virgil-penned originals, many of them from the band’s recent release, Scumbag Country (on the Woodland-based indie label Gearhead Records), and nuggets from the songbooks of Hank Williams Jr., Charlie Daniels, David Allan Coe and other two-wheeled redneck favorites. Hellbound Glory got there as the sun was setting, and began playing around 8:15 p.m. The early evening crowd there Friday was middle-aged with a slight Sturgis lean, with kids running around on the patio’s brown grass and blacktop. That bar and restaurant is set in a field of denuded alfalfa among old Ford Model Ts and As, an old fire truck, a totaled demolition-derby beater-once a Dodge Charger?-along with a big sycamore and a few scrubby oaks. Weil was the Denver clothier who invented the Western shirt, the kind with the sawtooth pockets and snaps, one of which was being worn by singer-guitarist Leroy Virgil (né Bower), frontman for the Reno outlaw country-rock band Hellbound Glory, on the patio of the Elkhorn Station Roadside Bar and Grill, a nice little joint in what’s technically West Sacramento, just south of the Interstate 5 bridge over the Sacramento River on the Yolo County side.
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